When it comes to gimbal cinematography, which lenses should you use for which shots? Learn to cover all your bases in this video tutorial.
Are you ready to take your gimbal cinematography to the next level? Discover the perfect lenses for every shot in this engaging video tutorial.
There is a variety of shots you can capture using a gimbal, and different lens choices yield different results. So which lenses should you use?
Below, I’ve listed my top three go-to lenses for gimbal cinematography — with a note about cost. You’ll find that each lens serves a completely different purpose based on what you’re capturing. Let’s take a look.
Establish the Space with a Wide Angle
Want to capture breathtaking establishing shots? Look no further than a 16-35 Canon or Sony wide angle lens. This focal length is perfect for event coverage or travel videography, allowing you to develop a sense of scope and immerse your audience in the scene.
Canon (expensive)

Image via Canon.
Sony (expensive)

Image via Sony.
Tokina (Cheap)

Image via Tokina.
Versatility in Your Tool Kit
Looking for a lens that can do it all? The 18-105 G Series lens is your go-to choice for gimbal work. Whether you’re shooting run-and-gun filmmaking or need to capture wide shots and close details, this lens has you covered. With its ability to create beautiful movement in the frame, your gimbal shots will be more dynamic than ever.
Sony

Image via Sony.
Canon

Image via Canon.
Get Nifty with a 50:
Want to achieve a cinematic look? A 50mm portrait lens is your secret weapon. With its ability to create stunning depth of field, this lens will add a touch of elegance to your gimbal shots. Just monitor the distance between your camera and subject if you don’t have follow-focus capabilities.
Canon

Image via Canon.
Sony

Image via Zy Optics.
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- Understanding Keyframe Interpolation in Adobe After Effects
- Video Tutorial: How to Build a $25 Overhead Camera Rig