Are you in the market for a versatile camera that can handle nearly any workflow? Look no further than the Blackmagic URSA Mini Pro 4.6K G2. But don’t just take our word for it – last week, we took the G2 into the streets of Paris to see how it holds up as a solo documentary rig. We used it to shoot a one-minute doc on street art in the City of Lights, and here are five takeaways from the shoot:
1. Going handheld is a breeze with the Blackmagic shoulder mount and viewfinder. Transitioning between a tripod and handheld shooting is incredibly simple, making the URSA a perfect rig for solo run-and-gun work.
2. The RAW workflow is a thing of beauty. The codec, camera, and editing platform are all under the Blackmagic umbrella, providing a streamlined workflow. Plus, when you purchase the URSA, you get a free copy of DaVinci Resolve Studio.
3. The G2 has fifteen stops of dynamic range, allowing you to preserve all of the highlights and shadows. This was especially important for our shoot, as we were shooting up and outside during a bright summer day.
4. The variable frame rate makes shooting slow motion a breeze. With just a simple adjustment in exposure, we were ready to capture that slow motion footage.
5. Good ergonomics are key for a documentary camera, and the URSA delivers. The Blackmagic menu UI is one of the best around, and the large touch screen makes for an intuitive experience.
So there you have it – five reasons why the G2 is a perfect tool for the wonderful world of documentary. And if you want to see the URSA in action on another doc, check out “Towers of Tigray.”
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