When it comes to film and TV, traveling light is a valuable lesson learned early on. However, for those of us responsible for both cinematography and logistics, the fear of leaving behind crucial gear can be overwhelming. That’s why the idea of making everything smaller and lighter is gaining popularity. DSLR Video Shooter, for example, has found a way to achieve this with the Sigma FP. If you know of a smaller, lighter alternative, we’d love to hear about it in the comments.
All hail Mr Shooter
Let’s give credit where credit is due. Mr Shooter’s video showcases some impressive capabilities: uncompressed 4K raw from a full-frame sensor in a medium-format sized package. The 3D-printed SSD caddy is ingenious, and it’s only a matter of time before a commercial alternative becomes available. With a wide-angle prime, clip-on mattebox, top handle, and onboard monitor, the Sigma FP is a versatile tool. Plus, its L mount allows for compatibility with virtually any lens ever made.
Similar advancements can be made with other cameras, but the benefits of small and light extend beyond just size and weight. Mirrorless cameras, in particular, are power-efficient and can handle video shooting with ease. While they may not be specifically designed for video, adding a Sony camcorder pack can provide ample endurance. However, it’s important to consider the limitations. For example, the lack of inbuilt ND filters and the challenges they pose for lightweight accessories like clip-on matteboxes.
Small is only beautiful while it’s still small
Of course, maintaining the joy of a compact rig requires a certain level of dedication to simplicity. Adding accessories can quickly negate the advantages of a small setup. For example, a rod-mounted mattebox would add unnecessary bulk. It’s important to question whether every nut, bolt, and BNC is truly necessary in the modern production camera. Even with added accessories, a setup like this would still be smaller, lighter, faster, and more power-efficient than many traditional cinema cameras.
While the Sigma FP may not be the obvious choice for shooting uncompressed 4K raw or high-rate 6K ProRes, it’s worth considering the data load and the practicality of such setups. Ultimately, having too much data can be a luxury problem. So, let’s embrace the possibilities of small, power-frugal, lightweight, and flexible cinema cameras. They have the potential to revolutionize the industry and capture stunning visuals without the need for excessive equipment.
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