These game-changing cameras changed the face of cinema, one frame at a time.
Above photo of cinematographer Robert Richardson from the set of ‘The Hateful Eight’
For over a century, cinema has showcased countless looks on screen, thanks to a wide range of camera variations. But among the many cameras in film history, only a few have truly made their mark. As we near the end of the transition from film to digital, let’s take a moment to appreciate some of the most iconic and game-changing cameras in movie history.
1. Bell & Howell 2709 Standard 35MM
In the early 20th century, camera technology lacked standardization, making it difficult for films to be played back in any theater. But Bell & Howell changed the game by manufacturing their cameras and projection technology exclusively in a 35mm film width format. This standardization revolutionized the entire motion picture industry.
Image via iCollector
The 2709 Standard 35mm was their most historically significant model, as it replaced wooden and leather cameras. It was the first ever all-metal movie camera, and by 1919, almost all Hollywood productions were using Bell & Howell equipment.
2. Bolex H16
The Bolex H16 may not have had the same image quality as other cameras on this list, but it played a crucial role in film history. It made filmmaking more accessible to a wider audience, giving more people the opportunity to experiment with the medium.
Image via LiveAuctioneers
The Bolex H16 became one of the best-selling cameras of its time. It was a reliable and versatile tool for aspiring filmmakers, offering a cinematic experience at an affordable price.
3. Super Panavision 70/Ultra Panavision 70 Systems
The Super Panavision 70 is a name that resonates with cinema lovers, as it has provided some of the most memorable cinematic experiences in history. This spherical lens-based camera system brought us classics like “West Side Story,” “Lawrence of Arabia,” and “2001: A Space Odyssey.”
Image via EOSHD
With its massive image size, the Super Panavision 70 offered a true sense of scope and wonder. Its anamorphic counterpart, the Ultra Panavision 70, also made its mark in cinema history, most recently in Quentin Tarantino’s “The Hateful Eight.”
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